Love Fiction

Director: Song Yang, Xiayi Su

Screenwriter: Xiayi Su

Year: 2019

Language: Chinese

Length: 75min

The female writer Zhou Rong gets involved in an immoral three-way relationship. During her days of visiting friends, she undergoes self-analysis and raises topics about the relationship between love and ethics, love and existence, the female self and love, and creation and ethics, and makes reflections as a woman. After experiencing conversations with different people, she decides to pursue a new form of love. In the end, in other lands, an encounter with another man takes place. She decides to leave the past behind and be with this man.

 

爱情小说

导演:杨嵩,苏夏一

编剧:苏夏一

年份:2019

语言:中文

时长:75分钟

女作家周融陷入了不道德的三人关系中去,在拜访朋友的日子里,她进行了自我剖析,反观自己在爱里的感受,作出了思考,提出了有关爱与道德、爱与存在、女性自我与爱情、创作与道德等之间的议题,并以女性的身份做出了思考。在经历了与不同的人的交谈之后,她决定追求新的爱的形态。最后,在他地,与另一个男人相遇。她决定抛弃过往,和这个男人在一起。

“If photographs are using the people being photographed, then my writing is using my experiences and the people around me. I sometimes can’t tell if I’m still with them because I love them or because just for my novel.”

 

“如果说拍照是在利用被拍摄者,那我的写作就是在利用我的经历,我身边的一些人。我有时候会分不清我究竟是因为爱,还是为了我的这部小说才和继续他们在一起。”

“In a sense, the life a person lives is the one he would ideally like to live for himself. I think deep down I was always looking forward to a dramatic, orgiastic, intense life, through which alone I could feel myself. I love romance of course, but not as much as I love the experience that comes with it which urges me to write more. It seems that it is through expression I feel existence. Of course romance can also bring existence, but I prefer to obtain non-existence through romance.”

 

“从某种意义上说,人过的生活就是他自己理想中的生活。我觉得我内心深处是在一直期待着一种戏剧化的、狂欢的、激烈的生活,只有通过这种生活,我才能够感受到自己的存在。我当然喜欢爱情,但不如说是喜欢爱情带来的经历,催促我更多的进行写作。使我得到了表达,又似乎是通过表达这种方式,我才获得了存在。当然爱情也可以带来存在感,但我更想通过爱情获得不存在。”

“Women have always been given an expectation of self devotion, I mean when they are in love. Their bodies and minds must be bound to the man so that their love is worthwhile and subsequently she can find a way out. The man, on the other hand, even in love, remains the only subject of his life, they integrate the woman into their life, she becomes part of their life’s value, they can be temporary devotees of love, but deep down they still have the only power over their own lives. Women are not in control of their lives, they are enslaved and dominated. Even in the art history, male artists have turned women into their lovers, then gazed at them and incorporated them into their work. “

 

“一直以来,女性都被赋予了一种自我奉献的期待,我是指在爱情里的时候。她们的身心必须捆缚在男人的身上,这样她们的爱情才是有价值的,随后她才能获得出路。而男人,即便在爱情里,他也仍然是自己生命里的唯一主体,他们把女人并入自己的生活里,女人只会成为他们生活价值的一部分,他们可以是暂时的狂热爱情信徒与奉献者,但在最深处,对于自己的生命他们仍然有唯一的掌控权。女人们不是生命的掌控者,她们被奴役、被控制。其实在作品里,艺术史上也是一样,男艺术家们把女人们变成自己的情人,然后凝视情人,把情人并入自己的作品里。”

“Being together is just a formality, I just need to be close to someone to approach their inner, I’m just curious about love and curious about others.”

 

“在一起只是一种形式而已,我只是需要通过这种方式来靠近一个人,来靠近他的内心而已,我只是对爱好奇,对他人充满了好奇心而已。”

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